So this week's SSSS simply had to be Christmas-themed, there's no arguing that. Each year I try to decide what my favourite Christmas song is and can never really narrow it down because each time I hear another one I'd forgotten about I find myself bopping along to it just as much.

However, 'All I Want For Christmas' by Mariah Carey will ALWAYS be right up there with the big guns. It gives you everything you want from a Christmas song - jollity, bells in the background, happy singing and a corny video to accompany it.

If by some small, tiny miracle you have yet to hear this song this year then do what you know you should and watch the video right now.

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Acoustic Dreams & Hardcore Screams wishes you all a very Merry Christmas and a Happy New Year.

Stay tuned to the blog in 2010 for more of the same.

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For any Brits reading: don’t worry, I’m not about to start analysing the song doing the rounds on the Boots Christmas ads so you can breathe a sigh of relief.

There is a lot of women out there in the alternative music scene that have just as much talent as their male counterparts so I’ve decided it’s about time I did on a feature on the best ones in my eyes. Think of it as kind of a bad awards ceremony, with equally as bad award titles. It will also lack in badly read autocue, Z-list celebrities and unfunny anecdotes but hey, who needs all that anyway?

The ‘Forever’ Love: Hayley Williams of Paramore
This young woman is the idol of countless numbers of Paramore fans across the globe and I guess the inner teen striving for a suitable role model inside of me loves her the same way. The only difference is I don’t feel an essential urge to dye my hair to match hers (all you red-headed ladies who followed her hair example... are you going blonde now? Being a lookalike is a tough business eh?). She’s the full package – she possesses an absolutely fine set of lungs which generates an incredible voice and she is also super duper cute. Being a dinky-sized package myself I will always admire a pintsized rock star making it big (look, I never said this would be free from puns).

The ‘Hot Damn’ Love: Katy Perry
Katy Perry is very VERY fine. Don’t you dare look at her and tell me otherwise. She is a complete sex kitten with the cheeky attitude to pull it off without coming across as big-headed or annoying and she isn’t afraid to experiment with some of the most outlandish outfits ever created. Yet, in contrast to Gaga, she can wear weird get-ups and pull it off with style without coming across as a bit of a freak.

The ‘New’ Love: Lacey Mosley of Flyleaf
Flyleaf are one of my newest band loves and with this comes my lusting for Lacey’s voice. There are similarities between her voice and Hayley’s but there’s something about hers that is darker and deeper which brings a completely different edge to their songs giving them a mysterious sound which entices you to listen.

The ‘Sisters in a Band’ Love: The Veronicas
The first time I heard ‘Untouched’ I fell in love with it. It was their ability to make their voices sound like they were craving passion and it is their singing adaptability which makes me like them. Part of a song is the aspect of singing like you mean it and my gosh, I definitely got the sense that they had been going through a very long sex dry spell. Plus two sisters who are just as talented as one another? That’s a lot of kick-ass in one family.

The ‘Solo’ Love: Feist
No, I do not mean solo love in the way you’re thinking, Mr/Miss/Mrs/Rev filthy reader. And don’t tell me you don’t know who Feist is, you saw the iPod ad that featured her single 1,2,3,4 so don’t tell me otherwise! Anyway, enough of addressing you, more of talking about Feist. Lesley Feist (excuse me, just having that as a surname is awesome enough), has the perfect “indie” voice. If that’s even something a person can possess. It’s soft, playful and unique. It skips along the words and makes each lyrical line sound like summer. Beautiful, easy and mellow.

The ‘Little Bit Crazy, but Loveable’ Love: Karen O of the Yeah Yeah Yeahs
Have you ever seen this lady perform on stage? She’s practically hypnotic. Her style is adventurous, some might even call it questionable, and her manner as she performs is bizarre, odd and sometimes a little twisted. But she is compelling and addictive to watch – the qualities any front woman should possess.

The ‘Non-Rock Chick’ Love: Beyonce sometimes of Destiny’s Child, but mainly not
No one can question Beyonce’s talent. She is the RnB version of Hayley Williams: in her genre NO one can beat her voice, her dancing and her true on-stage charisma. You simply cannot avoid her and can’t stop yourself from appreciating the true star she is, regardless of the music you’re into. The crazy thing with Beyonce is the fact that she has been around for what feels like forever and yet with every new album it’s like she’s generated even more love and hype around her. In the music world she is undoubtedly immortal.

The ‘Loser’ Love: Avril Lavigne
Okay, so I’m not a Lavigne fan. Now. I confess that I did own her first album, I’m not afraid to admit that I was a big lover of ‘Sk8r Boi’ (text speak HATE) and ‘Complicated’... amongst others. But after that it was bye bye Avril for me. She’s never really had the best voice, fair enough. She’s also got a questionable way of playing a guitar when she likes to have a “I’m a serious musician so watch me play an instrument” moment. As for her fashion sense, well, she’s in her early 20s and she dresses like a 13-year-old emo/goth combo, enough said. Then ‘Girlfriend’ came and I cried inside at the sound. The second someone trying to make a place in SOME kind of rock scene starts including a dance routine in their video (without being ironic) it is the time to switch off, close your eyes and block it out. I will never forget the time I saw an interview with her on television and she literally sat there with the biggest chip on her shoulder and the most sour attitude I’ve ever seen. Get over yourself, little girl.

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This was part of Paramore’s first big UK arena tour since they became known over on our lands. Forget Birmingham NEC, Manchester MEN or Cardiff CIA – the place every band wants to play to receive recognition that they’ve finally made it is Wembley Arena. It was written all over their faces and was present in Hayley Williams’ humble and bewildered words when she said ‘I think this is probably the best night of my life, wow’ as well as offering thanks whenever she got the opportunity between songs.

Despite the grand scale of this show for Paramore their entrance to the stage was truly “normal” and had no hint of grandeur or over-inflated egos. As the lights dimmed they all appeared one-by-one as silhouetted figures on the stage to overwhelming screams and cheers from the crowd. Now I don’t want to talk about the standard performances of their well-loved singles because everyone who knows them knows that they always execute them to perfection and that crowd sing-a-longs are a given. No, for this, I want to focus on the extra special, and in many places truly beautiful, moments that made this gig absolutely off the amazing scale for me.

How about a list?

‘My Heart’: I’m still a little speechless about this. For a start they rarely ever play this song live but it’s one of the most incredible songs and generates an atmosphere of high emotion. They played it just before they left the stage for the first time and it made the crowd putty in their hands. Josh screamed, Hayley sang her vocals to perfection and the rest of the band solidified one of the most sterling performances they’ve ever given. The room gave them back a mass of well-deserved love.

‘The Only Exception’: Before the band played this track a young couple were brought up on stage and the guy got down on bended knee to propose to an eruption of crowd hysteria and caused the girl to be completely overwhelmed (I mean she was on stage with freakin’ Paramore, what do you expect?). She said yes, just for the record. Then the band launched into ‘The Only Exception’ which is the most tender and heartfelt songs on their current album Brand New Eyes’. If ever you needed proof of the reaction this song can have over individuals you only had to look at the newly engaged couple – it was bittersweet.

The three songs that they played for the encore was the best part of the set for me save from the songs I’ve mentioned above. It gave Paramore a chance to prove how wide their range is and how they can adapt to more than what a lot of people give them credit for. From the campfire-style of ‘Misguided Ghosts’, which saw them all seated with acoustic guitars and dim lighting, to the hyper, sugar rush infused impact of ‘Misery Business’ finally transitioning into ‘Brick By Boring Brick’ to close. For me, ‘BBBB’ is the biggest anthem from their third album. It packs a hefty punch and has some of the catchiest lyrics I’ve ever heard. It’s a throwback to old school Paramore that shows us that they haven’t completely departed from the sound that got them to where they are today.

I have to say that I love their new material just as much as the old. This show gave them the opportunity to display their diversity, talent and undoubted likability. The whole thing was a bit of a wild music rollercoaster with its soft downs, crazy turns and massive peaks. No one can deny that Hayley is a force to be reckoned with. From the moment she came on stage until the moment she left she was a bundle of bounces, head bangs and smiles. And that voice is still completely out of this world and completely note perfect. I also cannot forget the men of the band who let her shine but bring the melody and sound that gives her the platform to polish off songs with the power to entice a multitude of fans. All of them have matured of late, in both looks and musical style, but their playful nature still reigns true on stage.

When tickets first went on sale for the Wembley show a lot of sceptics (fans or not) said “oh, they won’t sell out”. But they sold out in a day. Paramore have one of the strongest and most loyal fan bases out there and it was reflected in the speedy ticket demand. Paramore don’t need glossy stage props, though they did have a rather dashing theatrical style curtain as their backdrop. They don’t need any special effects, though they did have the standard confetti spray as they closed the show. Paramore’s greatness comes from their presence and distinct showmanship. No one can deny that Williams is the icing on the Paramore cake – if ever there were support of a dinky-sized creature creating a reaction a thousand-fold the size of themselves it is present in Hayley. It will take a lot to top Wembley but you get the sense that they’ll somehow achieve it because they hit you with the notion that the sky really is the limit.

Band Supports: You Me At Six, Paper Route, Now, Now Every Children

Setlist for the night:

Brand New Eyes Intro
Ignorance
I Caught Myself
That's What You Get
Looking Up
Crushcrushcrush
Turn It Off
The Only Exception
Pressure
Careful
Where The Lines Overlap
Decode
My Heart


ENCORE

Misguided Ghosts
Misery Business
Brick By Boring Brick

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I couldn't contain my excitement.

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I’m actually a little surprised I haven’t used this as my SSSS sooner. It is the true epitome of smiles, energy and fun which is everything you need to try and emulate when you’re on a Sunday blues downer.

I saw Paolo Nutini perform at T in the Park in 2007 and I was bemused by his manner of crouching over his microphone like he had a hunch but with this contradictory grin plastered across his face. Back then Paolo's music was a lot more mellower and mainstream with the infamous ‘Last Request’, which is a ballad to sooth even the sorest of broken hearts and lost loves, as well as the catchy ‘New Shoes’.

One song he covered when I saw him was ‘I Wanna Be Like You’ from The Jungle Book which is in definite keeping with his current album. An odd comparison to make, but ‘Pencil Full Of Lead’ in particular certainly reminds me of it.

This is one of those songs that I’ve heard countless times to date and I still don’t tire of it. One evening when mum was listening to Radio 2 in the kitchen (as standard) I heard it come on, she cranked it up and I dashed in there and we both started dancing about like crazy people. There’s something about it that encourages a temporary mania in you and man, it feels good.

Watch the quirky video for the song below:

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All you scrooges out there better look away now for this is a post literally and entirely infused with Christmas spirit.

Everyone (yes, even you, yes you there, claiming you don't like Christmas songs) loves a good festive tune come December. But I don't want to get too traditional about this, so this is all about songs that rock bands have covered. The good, the bad AND the ugly...

All I Want For Christmas Is You - My Chemical Romance
This is actually quite appalling. But it's appallingly likeable. Because it's dreadful, and no one will ever beat Mariah at this song-singing game. Wouldn't it be great if it was a game? Just think of it.

Last Christmas - The Maine
Pretty standard. Quite like what they've done with the synth sounding melody, it kinda camps it up even more than George could achieve with his fellow Wham! folk.

This isn't a cover. But it's Blink and we love them, right? This is ideal for any people out there who take a negative view of Christmas... however, I simply hear the hyped up beat and Mark Hoppus and smile anyway.

White Christmas - Bright Eyes
Before you all go crazy and think I'm completely lacking in brain - it is NOT Conor Oberst singing. It is in fact Maria Taylor while he plays guitar and she sounds like blissful perfection.

Not exactly a well known Christmas song (well, it's not exactly Slade, anyway) but it's got some lovely lyrics and Copeland do a super sweet version.

I think everyone should have a bit of an alternative Christmas.

P.S. THIS is how not to do a Christmas song.

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Jón Thor Birgisson, known to the world as Jónsi, the lead singer of Sigur Rós, is set to release his first solo album ‘Go’ on March 22nd, 2010. The choice to make an album of solo recordings came together as a solution to a backlog of songs Jónsi had written that didn’t seem to fit within the Sigur Rós context. The first collection of this material saw its release earlier this year in the form of a record called ‘Riceboy Sleeps’, an instrumental album made with his partner, Alex Somers. ‘Go’, however, is a different beast entirely. Ecstatic, dramatic and alive, it features Jónsi’s signature vocals throughout, with the majority of the songs sung in English.

When he began working on ‘Go’, Jónsi initially though he would be making a low-key, acoustic album until, as he says, “somewhere along the line, it just sort of exploded.” That explosion resulted in sheer aural fireworks. Not a straight ahead pop record, nor rock, folk, ambient or electronic, it encompasses all of these to create an expansive musical palette that’s been brought to life by Jónsi alongside a number of free-spirited collaborators.

Chief among these is Nico Muhly, the Philip Glass protégé who is renowned for his work with Björk, Antony & The Johnsons, Bonnie ‘Prince’ Billy and Grizzly Bear. Nico has arranged all the songs on ‘Go’, bringing strings, brass and woodwind to dance playfully alongside his offbeat piano playing.

Add into the mix the percussive genius of Samuli Kosminen, whose original drumming powers many of the songs along, and you have a sonic landscape that bears little relation to anything else around today, yet explodes from the speakers with sheer happiness and wonder, wide-eyed and eager to be heard.

'Go’ completes a personal journey for Jónsi away from the wordless and near-brutal sonic monoliths of Sigur Rós’ untitled ( ) album, and is a bold stride beyond the career-redefining pop of ‘Hoppipolla’ and even the explosive percussive assault of the last album’s ‘Gobbledigook’.

Above it all sits Jónsi’s voice, which has never been more impressive or breathtakingly arranged; here spectral and wraithlike, there fulsome and gorgeously warm, or other times, his backing vocals swoop and dart everywhere in a giddying array of crazed inventiveness. Indeed, ‘Go’ is also one of the most joyous collections of songs you’re ever likely to hear. It’s an album that sounds like an artist entirely out on his own, doing exactly as he pleases, and from the creator of some of this decade’s most inventive, evocative music, we would expect nothing less.

Jónsi will be bringing these songs to life with an extensive world tour throughout 2010. For more details on this along with exclusive Jónsi news, information and music check out his official website where you can also download the wonderful track ‘Boy Lilikoi’ for free. And in case you’re wondering, a lilikoi is the Hawaiian word for passion fruit.

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Since it's getting closer to Christmas and we're feeling generous we've teamed up with our good friends over at Total Assault to offer you the opportunity to win a Flyleaf Epiphone guitar!


All you have to do to enter is be a resident of the USA and head here to enter all your details.

Good luck everyone!

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I’m not going to pretend I don’t watch The X Factor. Each year I get drawn in by the terrible auditionees severely lacking in any smidgen of singing ability and then become caught up in the journey of those who actually display some talent* without even realising it.

Be that as it may, I am firmly behind the drive to get Rage Against The Machine as the Christmas Number 1 for 2009. As much as I enjoy X Factor it takes away all the suspense and wonder of who is going to be Number 1 at the end of the year because inevitably it will be the winner of the show. Even artists and bands that PERFORM on the show get a significant increase in record sales so the power of the programme is rife.

So whether you like X Factor or not, or like its winner...or not, buy RATM ‘Killing In The Name Of’ and let’s have a rocking Christmas instead of a complete cheese fest (I mean, HELLO, have you heard they’ll be covering Miley Cyrus’ ‘The Climb’?!).

Head over here to get the full lowdown on when you should buy and how we can unite at a time of the year when Cowell always reigns the music charts.

*FYI I didn’t sleep through Jedward, they are certainly not inclusive when using this word.

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Watch live streaming video from thirtysecondstomars at livestream.com

To celebrate the release of 'This Is War', 30 Seconds To Mars are due to broadcast an exclusive live Q&A session which you can see right HERE on the video streaming above on Wednesday 9th December at:

5pm PST
8pm EST
1am GMT (sucks to be us Brits eh?)

During the broadcast, the band will answer questions from a host as well as fans who have submitted questions to their local radio stations.

The performance will also be encoded for the iPhone, making the broadcast accessible to over a million iPhone users with a 3G wireless connection at http://iphone.livestream.com.

Be sure to come back here tomorrow to watch the guys in action!

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The lovely Miss Emma Corke of Because I Say So has kindly guest vlogged for Acoustic Dreams & Hardcore Screams.

Here is a written list of the 5 moments she refers to. Click each to go check them out:

5) 30 Seconds To Mars release 'This Is War'
4) Funeral For A Friend perform at Vans Off The Wall Music Night
3) The Lonely Island and their video 'I'm On A Boat'
2) Kanye "Imma let you finish" West storms the stage and interrupts Taylor
1) Muse show their mischievous side on an Italian chat show whilst performing 'Uprising'

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That's right folks, I've created an official Acoustic Dreams & Hardcore Screams youtube channel which will home my future video reviews/news/general ramblings. Head over here to check out my introductory vlog and please do subscribe if you have a youtube account.


I mean you wouldn't want to miss out on my entertaining videos now would you?

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Courtesy of Coca-Cola, fans of Cartel can download the band’s latest single "Let's Go" for FREE until the end of the day tomorrow (08/12/09) on Myspace. To get the free MP3, visit www.myspace.com/formula-for-happiness now. “Let’s Go” can be found on Cartel's third studio album, Cycles, in stores and on iTunes now.



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It is relatively impossible to compare each of the albums I’ve chosen for the pure fact that they are all different ends of the rock spectrum. The ones I have chosen came in at the position they did as a result of considering how much I’ve replayed them, or at least select tracks, along with the credibility they have to me in terms of cause, effect and overall impression. A band doesn’t have to have the most talent to impress me, nor do they have to be the most socially acceptable in rock critics’ eyes, they simply have to grab me in ways that perhaps can’t even be explained.

Looking at the rundown generally it seems that 2009 was definitely the year of epic and climatic music for me. I’ve chosen albums that contain songs which metaphorically knock you off your feet and submerse you in atmospheric melodies. 2009 was the year of the album that felt like it was telling a story from start to finish. A battle that begun and was completed. There are new perspectives on old sounds and quite often a light is shone on hidden depths that were previously locked away.

Runner Up: Editors // In This Light And On This Evening

Number 6: Boys Like Girls // Love Drunk
I am addicted to pop punk. Even when another genre of rock music steals the forefront of my mind for a moment in time, pop punk is always riding high behind it. It’s probably one of the only types of music that I always love regardless and when it comes to pop punk Boys Like Girls always nail it for me. I think their first self-titled album was more of a winner in terms of stand-out tracks but this one still gets my dancing feet going as pop punk should.

Number 5: Alexisonfire // Old Crows/Young Cardinals
Oh Alexis. Oh Dallas Green. Oh how I love thee. As long as Dallas’ vocals are strong and the melody is powerful Alexisonfire will always “do it” for me. Not quite as heavy as their past work but it’s still got the soul, power and drive that make them what they are and I can get completely lost in this album.

Number 4: Fightstar // Be Human
I think this is their most sophisticated and finely crafted work to date. It sounds so polished and refined and they’ve achieved a distinct sound that carries you with it. With the use of choirs, strings, and other finishing flourishes, this record comes across as something created with a lot of depth and integrity. Be Human has a lot of layers to it but at its core is an album containing messages through song and a vibe that will stay with you long after you’ve listened to it.

Number 3: Saosin // In Search Of Solid Ground
I’ve lost count of the number of people who have slated this record and lead singer Cove for not being like the old Saosin set-up was. I never understand the logic of judging an album by the material that preceded it. Yes, you expect some similarities and perhaps you are disappointed if the factors that made you love a band seem to lack, but if you don’t like it, then that’s just your taste. I happen to love this album intensely. I rem
ember downloading it and listening to it straight and not once thinking ‘oh, album filler’, which doesn’t happen often. I don’t dislike a single track and the whole thing is highly emotive and full of passion.

Number 2: 30 Seconds To Mars // This Is War
I don’t think I’ve covered up the fact that I am a huge lover of this band. They’ve had a fair bit of coverage on the blog and I’ve already heaped quite significant praise onto their new single and a move towards a more epic sound. I am going to do a video review of this album, so I won’t go into detail here but for me this album is a departure from a ‘smaller’, finely tuned sound that you came to associate with 30STM to a bigger and more cinematic album of grandiose. The tracks feel like a soundtrack to an adventure and the vocals backed-up by incredible musical peaks definitely sound like anthems of a battle being fought, and won.

Number 1: Paramore // Brand New Eyes
I’m a little surprised at myself for choosing this as number one. Don’t get me wrong, I’m a massive fan of Paramore despite being someone who has rarely favourited bands fronted by women. Female vocals just don’t usually compare to the force of a male voice in my eyes. But Hayley Williams is incredibly special in that she has one hell of a set of lungs on her and sings with the talent of a thousand men. This comes tops for the basic reasons of its expansive range of songs, what I like to call the “catchy factor” and because of its lyrical content. This album is vastly reflective of Paramore’s growth and maturity as a band, and as individuals.

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This quite possibly wins the award for worst, and funniest, advert all at the same time.

The cheesy way that 'Two Is Better Than One' by Boys Like Girls plays over the whole thing is incredibly amusing as is the corny "I'm too sexy" walk he does over to the girl.

Priceless.

Would it make me want to buy an ice cream from Baskin Robbins? Well, perhaps if I was naive enough to think it was going to entice Boys Like Girls to me, then yeah, I probably would. I have no shame.

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I don't know about you but I am super excited to see Where The Wild Things Are at the cinema. The whole premise of the story is lovely and I want my own Carol just from seeing the trailer.


I haven't had chance to listen to the entire soundtrack by Karen O (of the Yeah Yeah Yeahs) and the Kids (yes, actual kids) yet, but 'All Is Love' is happy, bittersweet and full of wonderland spirit. How can you have the Sunday blues if you're listening to something that makes you think of being a kid and creating your very own escape?

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RUNNER-UP: Friendly Fires at Reading Festival 28/08/09

Number 6: Frankmusik at Thekla, Bristol 03/11/09
A quirky venue always makes for a unique experience. That, coupled with the electro-orientated beats and sweet harmonious voice of Vincent Frank made for an energetic, dance-crazy night.

Full Review

Number 5: Coldplay at Wembley Stadium, London 19/09/09
This would have been much higher up the list had it not been for our fairly disappointing seats in the arena. However, this popped my ‘seeing Coldplay live’ cherry and did not disappoint. Chris Martin is an idealistic front man – happy, humble and full of beans and he, and the rest of Coldplay, put on a show full of splendour, out of this world effects and perfect little touches.

Full Review

Number 4: Blur at Hyde Park, London 03/07/09
A live event that brought back my youth as the sound of Blur filled my ears. I’ve never seen a bunch of men look so chuffed to be back performing together and it showed in the hit-filled night they gave us. They played with the strength and charm that they did years ago and it was magic.

Number 3: Funeral For A Friend at O2 Academy, Birmingham 30/10/09
Yet another live set full of nostalgia as the band rocketed through every hit they’ve ever had over the span of their successful career in the rock world. I hadn’t been to a show so raw and powerful, in the sense of losing yourself to the music, in a very long time. It was a total rollercoaster of high-octane, furious and non-stop bliss for a Funeral fan as big as me.

Full Review

Number 2: Editors at Colston Hall, Bristol 19/10/09
In a word – euphoric. In two words – mind blowing. In three words –absolutely bloody fantastic. This night saw a band display their older rock sound blended into their newer synth-infused melodies. One minute you felt like you were tripping on the up-tempo riffs and the next you were bathing in the intensely dark vocals. Eclectic.

Full Review

Number 1: The Killers at Royal Albert Hall, London 06/07/09
If any band can generate a sense of post-gig high, it’s The Killers. This was by far the best I have ever seen them. It was undoubtedly a special show before they’d even started – the venue, the format, the set. But when they played it was HUGE. Their sound is made to be played live and it ricochets off of you like a drug you can legally get high on. Top showmen, top talent and totally unforgettable.

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Xbox Reverb is a series of interactive gigs where the fans get to influence the event, both beforehand and at the gig itself. So far they have chosen venues, designed t-shirts and posters, voted for cover tracks and broadcast content and tweets live from the gigs.

However, as Reverb grows, the gigs are going to get bigger and the fans are going to get more control in the organising of the gigs, so it's a really exciting project and is a good example of brands, bands and their fans working together in a way that everyone genuinely benefits from.

I think the notion of being able to control and influence the musical events you go to is fantastic. I've been to a couple of "normal" gigs where the bands have let the audience shout-out what tracks they'd liked played and it was a great way to feel like you had a power over music you wanted to hear. So the idea of controlling the ENTIRE thing is awesome.

The next Xbox Reverb event is being held on 8th December at Colchester Arts Centre. Esser will be headlining, supported by The Magistrates and Egyptian Hip Hop. At the event, there will also be a local DJ playing and other entertainment, including pods to try out all the latest Xbox games, including DJ Hero.

I absolutely suck at gaming but I'm always up for having a go and since I'm a huge fan of music of most genres I'm really looking forward to attending one of these gigs.

Make sure you register yourself on the Xbox Reverb Facebook site to get tickets which are absolutely FREE (what other reason do you need?) and head over to their official site to get more details on what it's all about.

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Tamar Kaprelian is a 22-year-old singer songwriter who grew up in Georgia and California and was discovered after entering a contest to cover One Republic's well known song 'Apologize'. After being chosen as the winner by the band she then received over 3 million hits on youtube.


You can get to know her in the video below where she tells you a little about herself and also performs an acoustic version of her current single 'New Day'. Something you may have already heard if you're a fan of The Hills (I'd like to highlight the fact I'm not, so thankfully I've heard this song via other means!)


I think Tamar has a really pure and delicate voice which is conveyed perfectly during an acoustic performance. She's set to release her debut album next year and with songs co-written by OneRepublic’s Brent Kutzle and Ryan Tedder and Evanescence’s Ben Moody, to name but a few, I think this young lady is destined to be big.

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This year The Killers have recorded their fourth Christmas song in aid of (RED), the global fund set up to help fight against AIDS. Basically, every time you choose to buy a (RED) product or service, the company who make it will give up to fifty percent of its profit to buy and distribute antiretrovical medicine to our brothers and sisters dying of AIDS in Africa.

One of many things you can buy is this song by The Killers 'Happy Birthday Guadalupe'. Okay, so it's not the best Christmas song I've ever heard and the video certainly doesn't warm you with that gooey, warm, Christmas feeling inside. In fact the only festive feature to it is the cute kids running about in their angel wings (and hey, what is with the freaky Jack Skeleton-esque face paint? Nightmare time tonight). But it's for a great cause, it is The Killers and hey, it's kinda good, right? I'm liking the Mexican vibe to it and if anything it makes me smirk so that's enough to satisfy me.

Go buy it now.

Find out more about (RED), the brands supporting the cause and how you can do your bit on their official website here.


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