So this week's SSSS simply had to be Christmas-themed, there's no arguing that. Each year I try to decide what my favourite Christmas song is and can never really narrow it down because each time I hear another one I'd forgotten about I find myself bopping along to it just as much.
Stay tuned to the blog in 2010 for more of the same.
Here Come The Girls
11:44 | Labels: Avril Lavigne, Beyonce, Feist, Flyleaf, Hayley Williams, Karen O and the Kids, Katy Perry, Lacey Mosley, Paramore, The Veronicas, Yeah Yeah Yeahs
For any Brits reading: don’t worry, I’m not about to start analysing the song doing the rounds on the Boots Christmas ads so you can breathe a sigh of relief.
This young woman is the idol of countless numbers of Paramore fans across the globe and I guess the inner teen striving for a suitable role model inside of me loves her the same way. The only difference is I don’t feel an essential urge to dye my hair to match hers (all you red-headed ladies who followed her hair example... are you going blonde now? Being a lookalike is a tough business eh?). She’s the full package – she possesses an absolutely fine set of lungs which generates an incredible voice and she is also super duper cute. Being a dinky-sized package myself I will always admire a pintsized rock star making it big (look, I never said this would be free from puns).
Katy Perry is very VERY fine. Don’t you dare look at her and tell me otherwise. She is a complete sex kitten with the cheeky attitude to pull it off without coming across as big-headed or annoying and she isn’t afraid to experiment with some of the most outlandish outfits ever created. Yet, in contrast to Gaga, she can wear weird get-ups and pull it off with style without coming across as a bit of a freak.
Flyleaf are one of my newest band loves and with this comes my lusting for Lacey’s voice. There are similarities between her voice and Hayley’s but there’s something about hers that is darker and deeper which brings a completely different edge to their songs giving them a mysterious sound which entices you to listen.
The first time I heard ‘Untouched’ I fell in love with it. It was their ability to make their voices sound like they were craving passion and it is their singing adaptability which makes me like them. Part of a song is the aspect of singing like you mean it and my gosh, I definitely got the sense that they had been going through a very long sex dry spell. Plus two sisters who are just as talented as one another? That’s a lot of kick-ass in one family.
No, I do not mean solo love in the way you’re thinking, Mr/Miss/Mrs/Rev filthy reader. And don’t tell me you don’t know who Feist is, you saw the iPod ad that featured her single 1,2,3,4 so don’t tell me otherwise! Anyway, enough of addressing you, more of talking about Feist. Lesley Feist (excuse me, just having that as a surname is awesome enough), has the perfect “indie” voice. If that’s even something a person can possess. It’s soft, playful and unique. It skips along the words and makes each lyrical line sound like summer. Beautiful, easy and mellow.
Have you ever seen this lady perform on stage? She’s practically hypnotic. Her style is adventurous, some might even call it questionable, and her manner as she performs is bizarre, odd and sometimes a little twisted. But she is compelling and addictive to watch – the qualities any front woman should possess.
No one can question Beyonce’s talent. She is the RnB version of Hayley Williams: in her genre NO one can beat her voice, her dancing and her true on-stage charisma. You simply cannot avoid her and can’t stop yourself from appreciating the true star she is, regardless of the music you’re into. The crazy thing with Beyonce is the fact that she has been around for what feels like forever and yet with every new album it’s like she’s generated even more love and hype around her. In the music world she is undoubtedly immortal.
Okay, so I’m not a Lavigne fan. Now. I confess that I did own her first album, I’m not afraid to admit that I was a big lover of ‘Sk8r Boi’ (text speak HATE) and ‘Complicated’... amongst others. But after that it was bye bye Avril for me. She’s never really had the best voice, fair enough. She’s also got a questionable way of playing a guitar when she likes to have a “I’m a serious musician so watch me play an instrument” moment. As for her fashion sense, well, she’s in her early 20s and she dresses like a 13-year-old emo/goth combo, enough said. Then ‘Girlfriend’ came and I cried inside at the sound. The second someone trying to make a place in SOME kind of rock scene starts including a dance routine in their video (without being ironic) it is the time to switch off, close your eyes and block it out. I will never forget the time I saw an interview with her on television and she literally sat there with the biggest chip on her shoulder and the most sour attitude I’ve ever seen. Get over yourself, little girl.
This was part of Paramore’s first big UK arena tour since they became known over on our lands. Forget Birmingham NEC, Manchester MEN or Cardiff CIA – the place every band wants to play to receive recognition that they’ve finally made it is Wembley Arena. It was written all over their faces and was present in Hayley Williams’ humble and bewildered words when she said ‘I think this is probably the best night of my life, wow’ as well as offering thanks whenever she got the opportunity between songs.
Despite the grand scale of this show for Paramore their entrance to the stage was truly “normal” and had no hint of grandeur or over-inflated egos. As the lights dimmed they all appeared one-by-one as silhouetted figures on the stage to overwhelming screams and cheers from the crowd. Now I don’t want to talk about the standard performances of their well-loved singles because everyone who knows them knows that they always execute them to perfection and that crowd sing-a-longs are a given. No, for this, I want to focus on the extra special, and in many places truly beautiful, moments that made this gig absolutely off the amazing scale for me.
How about a list?
‘My Heart’: I’m still a little speechless about this. For a start they rarely ever play this song live but it’s one of the most incredible songs and generates an atmosphere of high emotion. They played it just before they left the stage for the first time and it made the crowd putty in their hands. Josh screamed, Hayley sang her vocals to perfection and the rest of the band solidified one of the most sterling performances they’ve ever given. The room gave them back a mass of well-deserved love.
‘The Only Exception’: Before the band played this track a young couple were brought up on stage and the guy got down on bended knee to propose to an eruption of crowd hysteria and caused the girl to be completely overwhelmed (I mean she was on stage with freakin’ Paramore, what do you expect?). She said yes, just for the record. Then the band launched into ‘The Only Exception’ which is the most tender and heartfelt songs on their current album ‘Brand New Eyes’. If ever you needed proof of the reaction this song can have over individuals you only had to look at the newly engaged couple – it was bittersweet.
The three songs that they played for the encore was the best part of the set for me save from the songs I’ve mentioned above. It gave Paramore a chance to prove how wide their range is and how they can adapt to more than what a lot of people give them credit for. From the campfire-style of ‘Misguided Ghosts’, which saw them all seated with acoustic guitars and dim lighting, to the hyper, sugar rush infused impact of ‘Misery Business’ finally transitioning into ‘Brick By Boring Brick’ to close. For me, ‘BBBB’ is the biggest anthem from their third album. It packs a hefty punch and has some of the catchiest lyrics I’ve ever heard. It’s a throwback to old school Paramore that shows us that they haven’t completely departed from the sound that got them to where they are today.
I have to say that I love their new material just as much as the old. This show gave them the opportunity to display their diversity, talent and undoubted likability. The whole thing was a bit of a wild music rollercoaster with its soft downs, crazy turns and massive peaks. No one can deny that Hayley is a force to be reckoned with. From the moment she came on stage until the moment she left she was a bundle of bounces, head bangs and smiles. And that voice is still completely out of this world and completely note perfect. I also cannot forget the men of the band who let her shine but bring the melody and sound that gives her the platform to polish off songs with the power to entice a multitude of fans. All of them have matured of late, in both looks and musical style, but their playful nature still reigns true on stage.
When tickets first went on sale for the Wembley show a lot of sceptics (fans or not) said “oh, they won’t sell out”. But they sold out in a day. Paramore have one of the strongest and most loyal fan bases out there and it was reflected in the speedy ticket demand. Paramore don’t need glossy stage props, though they did have a rather dashing theatrical style curtain as their backdrop. They don’t need any special effects, though they did have the standard confetti spray as they closed the show. Paramore’s greatness comes from their presence and distinct showmanship. No one can deny that Williams is the icing on the Paramore cake – if ever there were support of a dinky-sized creature creating a reaction a thousand-fold the size of themselves it is present in Hayley. It will take a lot to top Wembley but you get the sense that they’ll somehow achieve it because they hit you with the notion that the sky really is the limit.
Band Supports: You Me At Six, Paper Route, Now, Now Every Children
Setlist for the night:
Brand New Eyes Intro
Ignorance
I Caught Myself
That's What You Get
Looking Up
Crushcrushcrush
Turn It Off
The Only Exception
Pressure
Careful
Where The Lines Overlap
Decode
My Heart
ENCORE
Misguided Ghosts
Misery Business
Brick By Boring Brick
RATM Christmas Number One 2009!
19:59 | Labels: Music News, vLog
I’m actually a little surprised I haven’t used this as my SSSS sooner. It is the true epitome of smiles, energy and fun which is everything you need to try and emulate when you’re on a Sunday blues downer.
Christmas. Covered.
20:56 | Labels: Blink 182, Bright Eyes, Copeland, Just Because, My Chemical Romance, The Maine
Introducing... Jónsi
18:30 | Labels: Introducing..., Jonsi, New Music
Above it all sits Jónsi’s voice, which has never been more impressive or breathtakingly arranged; here spectral and wraithlike, there fulsome and gorgeously warm, or other times, his backing vocals swoop and dart everywhere in a giddying array of crazed inventiveness. Indeed, ‘Go’ is also one of the most joyous collections of songs you’re ever likely to hear. It’s an album that sounds like an artist entirely out on his own, doing exactly as he pleases, and from the creator of some of this decade’s most inventive, evocative music, we would expect nothing less.
Since it's getting closer to Christmas and we're feeling generous we've teamed up with our good friends over at Total Assault to offer you the opportunity to win a Flyleaf Epiphone guitar!
All you have to do to enter is be a resident of the USA and head here to enter all your details.
Good luck everyone!
*FYI I didn’t sleep through Jedward, they are certainly not inclusive when using this word.
To celebrate the release of 'This Is War', 30 Seconds To Mars are due to broadcast an exclusive live Q&A session which you can see right HERE on the video streaming above on Wednesday 9th December at:
During the broadcast, the band will answer questions from a host as well as fans who have submitted questions to their local radio stations.
The performance will also be encoded for the iPhone, making the broadcast accessible to over a million iPhone users with a 3G wireless connection at http://iphone.livestream.com.
GUEST BLOG: The 2009 Lists: Top 5 Musical Moments
20:46 | Labels: 30 Seconds To Mars, Funeral For A Friend, Guest Blog, Kanye West, Muse, Taylor Swift, The Lonely Island, vLog
The lovely Miss Emma Corke of Because I Say So has kindly guest vlogged for Acoustic Dreams & Hardcore Screams.
ADHS YouTube Channel
20:30 | Labels: Music News, vLog
That's right folks, I've created an official Acoustic Dreams & Hardcore Screams youtube channel which will home my future video reviews/news/general ramblings. Head over here to check out my introductory vlog and please do subscribe if you have a youtube account.
FREE Cartel Download of 'Let Go'
20:00 | Labels: Cartel, Music News
Courtesy of Coca-Cola, fans of Cartel can download the band’s latest single "Let's Go" for FREE until the end of the day tomorrow (08/12/09) on Myspace. To get the free MP3, visit www.myspace.com/formula-for-
The 2009 "Top 6" Lists: Albums
14:06 | Labels: 30 Seconds To Mars, Alexisonfire, Boys Like Girls, Editors, Fightstar, Paramore, Saosin, The Lists




I don’t think I’ve covered up the fact that I am a huge lover of this band. They’ve had a fair bit of coverage on the blog and I’ve already heaped quite significant praise onto their new single and a move towards a more epic sound. I am going to do a video review of this album, so I won’t go into detail here but for me this album is a departure from a ‘smaller’, finely tuned sound that you came to associate with 30STM to a bigger and more cinematic album of grandiose. The tracks feel like a soundtrack to an adventure and the vocals backed-up by incredible musical peaks definitely sound like anthems of a battle being fought, and won.
I’m a little surprised at myself for choosing this as number one. Don’t get me wrong, I’m a massive fan of Paramore despite being someone who has rarely favourited bands fronted by women. Female vocals just don’t usually compare to the force of a male voice in my eyes. But Hayley Williams is incredibly special in that she has one hell of a set of lungs on her and sings with the talent of a thousand men. This comes tops for the basic reasons of its expansive range of songs, what I like to call the “catchy factor” and because of its lyrical content. This album is vastly reflective of Paramore’s growth and maturity as a band, and as individuals.This quite possibly wins the award for worst, and funniest, advert all at the same time.
I don't know about you but I am super excited to see Where The Wild Things Are at the cinema. The whole premise of the story is lovely and I want my own Carol just from seeing the trailer.
The 2009 "Top 6" Lists: Gigs
14:49 | Labels: Blur, Coldplay, Editors, Frankmusik, Friendly Fires, Funeral For A Friend, The Killers, The Lists
A quirky venue always makes for a unique experience. That, coupled with the electro-orientated beats and sweet harmonious voice of Vincent Frank made for an energetic, dance-crazy night.
This would have been much higher up the list had it not been for our fairly disappointing seats in the arena. However, this popped my ‘seeing Coldplay live’ cherry and did not disappoint. Chris Martin is an idealistic front man – happy, humble and full of beans and he, and the rest of Coldplay, put on a show full of splendour, out of this world effects and perfect little touches.
Yet another live set full of nostalgia as the band rocketed through every hit they’ve ever had over the span of their successful career in the rock world. I hadn’t been to a show so raw and powerful, in the sense of losing yourself to the music, in a very long time. It was a total rollercoaster of high-octane, furious and non-stop bliss for a Funeral fan as big as me.
In a word – euphoric. In two words – mind blowing. In three words –absolutely bloody fantastic. This night saw a band display their older rock sound blended into their newer synth-infused melodies. One minute you felt like you were tripping on the up-tempo riffs and the next you were bathing in the intensely dark vocals. Eclectic.
If any band can generate a sense of post-gig high, it’s The Killers. This was by far the best I have ever seen them. It was undoubtedly a special show before they’d even started – the venue, the format, the set. But when they played it was HUGE. Their sound is made to be played live and it ricochets off of you like a drug you can legally get high on. Top showmen, top talent and totally unforgettable.Xbox Reverb Gigs
14:00 | Labels: Music News, Xbox Reverb
Xbox Reverb is a series of interactive gigs where the fans get to influence the event, both beforehand and at the gig itself. So far they have chosen venues, designed t-shirts and posters, voted for cover tracks and broadcast content and tweets live from the gigs.
Tamar Kaprelian is a 22-year-old singer songwriter who grew up in Georgia and California and was discovered after entering a contest to cover One Republic's well known song 'Apologize'. After being chosen as the winner by the band she then received over 3 million hits on youtube.
This year The Killers have recorded their fourth Christmas song in aid of (RED), the global fund set up to help fight against AIDS. Basically, every time you choose to buy a (RED) product or service, the company who make it will give up to fifty percent of its profit to buy and distribute antiretrovical medicine to our brothers and sisters dying of AIDS in Africa.
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- Sunday Sunshine Syndrome: Mariah Carey
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- LIVE REVIEW: Paramore - Wembley Arena: 18/12/09
- RATM Christmas Number One 2009!
- Sunday Syndrome Sunshine Song: Paolo Nutini
- Christmas. Covered.
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